Testseek.co.uk have collected 24 expert reviews of the Sigma 24-70mm f/2.8 DG DN Art and the average rating is 90%. Scroll down and see all reviews for Sigma 24-70mm f/2.8 DG DN Art.
April 2020
(90%)
24 Reviews
Average score from experts who have reviewed this product.
Users
(98%)
20 Reviews
Average score from owners of the product.
90010024
Reviews
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Published: 2022-10-10, Author: Chris , review by: dpreview.com
Very competitive pricing, especially against similarly high-end rivals, Solid, weather-sealed build, Bright, constant F2.8 maximum aperture, Self-releasing zoom lock and customizable AF Lock button, Swift, silent autofocus, Very little focus breathing, Ve
What we likeWhat we don'tVery competitive pricing, especially against similarly high-end rivalsSolid, weather-sealed buildBright, constant F2.8 maximum apertureSelf-releasing zoom lock and customizable AF Lock buttonSwift, silent autofocusVery little focu...
Abstract: Sigma has become one of the most interesting companies in the industry in the past several years, with a fascinating new camera as of March 25, and a lot of great new lenses in the past year or so. Sigma has always been a lensmaker with a couple of niche...
Abstract: Where you buy your gear matters. You expect to get what you ordered, and you want to pay a low price for it. The retailers I recommend below are the ones I trust for my purchases. Get your Sigma 24-70mm f/2.8 DG DN Art Lens now from:Please share this page...
The Sigma 24-70mm f/2.8 is a solidly built, high performance lens that is a steal at $1,099.00. You won't find a better 24-70mm at this price point. If you're a stills photographer, you want this in your bag if you don't already have the Sony version. How...
Price, Build quality, Size, Image quality for the price,
Sony and Panasonic's autofocus. Sony is excellent overall, except in low light, The soft lock, Some folks will hate that it doesn't have image stabilization, The photographers who will go for the Sigma 24-70mm f2.8 DG DN Art are the ones who want somethin
Typically big and heavy for an f/2.8 zoom, Noticeable distortion and vignetting when uncorrected
Buy a full-frame mirrorless camera from Sony or Panasonic and you'll probably be tempted by the FE 24-70mm f/2.8 G Master or Lumix S PRO 24-70mm f/2.8. They're both fully pro-grade lenses with price tags to match. For those without bottomless pockets, the...
Published: 2020-01-23, Author: Jim , review by: pcmag.com
Classic standard zoom range, Close-up focus capability, All-weather design with fluorine protection, Designed for full-frame mirrorless, Supports in-camera corrections,
Distortion and vignette visible in uncorrected images, Some loss of clarity at close distance
The Sigma 24-70mm F2.8 DG DN Art lens undercuts first-party alternatives in cost without too much sacrifice, and should be near the top of your shopping list among standard zooms...
Published: 2020-01-22, Author: Maciej , review by: lenstip.com
very solid and weathersealed casing, excellent image quality in frame centre, good image quality on the edge of APSC, acceptable image quality on the edge of full frame, low lateral chromatic aberration, negligible astigmatism, low vignetting on the APSC/
very high distortion which, additionally, at the shortest focal length, shows significant moustache deformations, a tad too high spherical aberration at 70 mm, noticeable longitudinal chromatic aberration at 70 mm, monstruous vignetting on full frame, The
The tested lens has a serious rival in the shape of the Tamron 28-75 mm f/2.8 Di III RXD, an instrument $220 cheaper. Of course the Sigma still offers you the 24 mm focal length, an important feature, and a significantly better performance on the edge of...
Abstract: When you're buying a camera with interchangeable lenses, you're also buying into a lens system. For many, that means optics from the same manufacturer as your camera, supplemented via third parties. The L-Mount mirrorless system is a bit different-while i...
